Adagio is as common a part of class as plies. You either love it or you hate it, but do you know what it is? Here is some basic information and tips about ballet adagio.
1. DEFINITION – Adagio means “slowly”. Keep that in mind when performing these movements. They are meant to be slow and breathy.
2. KEEP MOVING – Even though the movement is slow this does not mean you stop when changing positions. Flow from one position to the next like you’re moving through water.
3. FOCUS ON QUALITY – Don’t worry about the height of your leg. Adagio is not about the height of the leg. A beautiful adagio is beautiful because of the quality of movement. As your flexibility and strength improve so will the height of your leg. If you try to force your leg up, your hip will hinge up, your standing leg may bend, you might your torso will no longer be square, or a number of other things that will compromise your line. It’s more important to make a beautiful line at whatever level your flexibility will allow, and to maintain a fluidity from movement to movement.
4. BREATHE – This tip continues to show up because it is important to remember when doing any type of balletic movement. As mentioned before, adagio is a breathy movement, and the best way to make your movement breathy is by using your breath. Work with your inhale and exhale. For example, when doing a devlope inhale as you bring the leg to posse, then exhale slowly as you extend your leg out.
5. DANCE INSIDE THE MUSIC – Adagio for piano translates the same as it does for ballet. The pianist or recording of music will be slow. It’s a normal tendency to get ahead of the music when working at this pace, but fight the urge to hasten your movements. You will build strength quicker by working slowly. Sounds counter intuitive, but you’ll see.










